A Study of the Mythical Techniques and the Concept of Indianness in the Fictions of Raja Rao

Abstract

This research paper focused on the significant aspects of the mythical techniques and the concept of Indianness used in fiction, such as Kanthapura, The Cow and the Barricades, The Cat and Shakespeare, The Serpent and the Rope, and Comrade Kirillov of Raja Rao to representand generalize the literary frameworks and activities. It explored the literary qualities of Raja Rao’s fiction to demonstrate the account of the emotional intelligence related to the presentation of Indian sensibilities. It also focused on the artistic framework of fiction to generalize the concept of Indianness through physical knowledge and esoteric insights to interpret the myths and realities. The major objective of this research paper is to draw the literary frameworks of the mythical techniques and concept of Indianness through the fiction of Raja Rao. It reflected the realities of the artistic cult of Raja Rao to distinguish it from other Indian English writers in a specific environment of the literary phenomena. It is well noted that Raja Rao is one of the significant Indian English writers who enhanced the qualitative phenomena of India’s culture, tradition, symbols, ideology, code of conduct, philosophy, etc. to designate a unique identity in the world of English language and literature. It is mentioned that this research paper revealed the facts of the fictional world to demonstrate the feelings and emotions of Indianness and explored the path of the true voice of sensibility and mythical technique. In the account of the research methodology, the researcher collected the secondary data through the fictions of Raja Rao, research papers, articles, theses, dissertations, etc. to represent the process and mechanism of the mythical techniques and the concept of Indianness.